Approaching
Santa Maria del Fiore Cathedral from Via dei Cerratani. It was the
largest building in medieval Europe, and is the fourth largest church
in Europe; its length is 153 m (501.97 ft) and its height is 116 m
(380.58 ft). |
The baptistry, cathedral, and bell tower. |
Colorful umbrellas brighten the scene on a cloudy, wet day. |
This
façade was the collective work of several artists, among them Andrea
Orcagna and Taddeo Gaddi. This original façade was completed in only
its lower portion and then left unfinished. It was dismantled in
1587-1588 by the Medici court architect Bernardo Buontalenti, ordered
by Grand Duke Francesco I de' Medici, as it appeared totally outmoded
in Renaissance times. In 1864, a competition held to design a new
façade was won by Emilio De Fabris (1808–1883) in 1871. Work began in
1876 and was completed in 1887. This neo-gothic façade in white, green
and red marble forms a harmonious entity with the cathedral, Giotto's
bell tower and the Baptistery. |
On top of the façade is a series of niches with the twelve Apostles, and in the middle, the Madonna with Child. |
The mosaics in the lunettes above the doors were designed by Niccolò Barabino. This one is over the north door of the facade. |
The center door's lunete contains Christ enthroned with Mary and John the Baptist. |
The
top three levels of the bell tower were built by Francesco Talenti,
Master of the Works from 1348 to 1359. Each level is larger than the
lower one and extends beyond it in every dimension such that their
difference in size exactly counters the effect of perspective. As a
result, the top three levels of the tower, when seen from below, look
exactly equal in size. |
The Baptistery is one of the oldest buildings in the city, constructed between 1059 and 1128 in the Florentine Romanesque style. |
East doors of the Baptristery, or Gates of Paradise, by Lorenzo Ghiberti.
The panels are included in a richly decorated gilt framework of foliage
and fruit, many statuettes of prophets and 24 busts. The two central
busts are portraits of the artist and of his father, Bartolomeo
Ghiberti. |
Detail, David cutting off the head of goliath. |
The
Gothic interior is vast and gives an empty impression. The relative
bareness of the church corresponds with the austerity of religious
life, as preached by Girolamo Savonarola. |
Floor mosaics. |
The Last Judgement - painted ceiling of the dome of the cathedral. |
St
John the Evangilist - Arte della Seta, silk merchants - on the left,
and St. John the Baptist - Arte di Calimala, The Guild of Merchants of
Calimala - on the right, occupy the corner of the building. The
canopied niche on the left contains the Madonna of the Rose - Medici e
Speziali, doctors and apothecaries. The niche to the right
contains Christ and St. Thomas - Tribunale di Mercanzia, merchants. |
Christ and St. Thomas. |