Thad Taylor

Style and influences

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Somebody give me a hug - or a Gatorade, at least!
My style
 
I guess I can say it's rooted in equal parts bombastic rock, syncopated funk, jazz/rock fluidity, and the ability to give songs the foundation and movement they need to flourish. I tend to be spontaneous yet solid, dynamic, and hopefully, above all, musical. As time goes by, I believe I get better at creating the right part at the right time.
 
I am pretty versatile and like a lot of different types of music. If you sat me down in a straight ahead jazz trio, I might struggle. But that jazz touch is never far away in my playing.
 
For most popular music, the drums come down to the relationship between hi-hat, bass drum, and snare drum. For me - as the playing clips can attest - I like an aggressive bass drum. I want the bass drum to be the main influence on the groove.
 
What do I like? And what am I looking for?
 
I like music that has to do with the musicians and their personalities - substance is everything. Then, after that, putting on a show and entertaining people is important. Good songs and good singing - imperative. At the end of the day, people don't care about my drum set, my chops, the pick-ups in your guitar, or any of that. They want to feel something.
 
I believe, with good musicians, it's easier (and more fun) to play compelling R&B or "groove-oriented" music and than it is trying to play "rock." Playing inspiring, original "rock" in my experience is difficult. I'd love to do it but . . .
 
For a short-term or recording project - I would love to play balls out rock.
 
I've played progressive rock/metal, classic rock, jam-band type stuff . . . all great. Love it all. I am a huge hard rock/metal fan - I grew up on Sabbath and Maiden. But for a long-term project, I would want to be in something where dynamics and different time feels come into play.
 
"Indie rock" and that type of mindset turns my stomach, frankly. To me, the whole "alternative" or "indie" rock thing meant that people were admitting ahead of time that they weren't really good enough to be liked by a lot of people. No thanks.
 
Lately, I've been thinking more and more about a vocal-oriented group, featuring several singers. Nothing turns on an audience more than great singing and emotional content. I'd like to marry that with top flight musicians - keyboards, bass, drums, and guitar. I'd like to have a group that covers a lot of R&B, pop, rock and roll, space - and can jam. I've listening to the Band a lot in the past year. Great singers and a great groove, with good tunes. Yes - it's asking a lot.
 
The bands I strive to emulate are those where each member was an integral, highly recognizable personality. At the same time, I also enjoy using a "hired gun" session approach where my talents make someone else's music come alive.
 
Drumming influences
 
At age 10, I heard Keith Moon on Who's Next - that got me going. I first saw Buddy Rich at age 12 and was completely mesmerized. I am influenced by a wide variety of music and players.
 
Other drummers who have had a major impact on me include all the other old-school British rock greats: Ringo Starr, Charlie Watts, John Bonham, Bill Ward, Lee Kerslake, Mitch Mitchell, Ginger Baker, Clive Bunker, Barriemore Barlow, and more.
 
More names:
Levon Helm, Alex Van Halen, John Molo, Vinny Appice, Simon Phillips, Tommy Aldridge, Phil Rudd, Dave Weckl, Tony Williams, Steve Gadd, Nicko McBrain, Carter Beauford, Garey Williams, Stewart Copeland, Bill Kreutzmann/Mickey Hart, Neil Peart – the list goes on forever.

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How it started
 
My older siblings exposed me to rock. Elton John and the Beatles were playing downstairs while my brother cranked Tull and Skynyrd upstairs. Keith Moon immediately stood out for me as all those old great records played in our house. I asked my brother, "How did Keith Moon die?" 
 
"He ate too many turkey sandwiches," he told me.  
 
Right around then, at age 10, I decided "This is my deal. I'm going to be a drummer."
 
Mentors  
 
I first studied with a meticulous percussionist, Mike Faris, at Talcott's Music Store. I was 10 or 11. Mike was the percussionist for the Yakima Symphony Orchestra and a musician/educator trained at Central Washington University. Mike was the anti-Keith Moon.
 
I learned technique and reading from Mike. We focused on orchestral snare drum work, rudiments, drum set independence - you name it. We worked through many of the seminal books: Stick Control, Jim Chapin's independence book, Rick Latham funk, etc.
 
Mike would create percussion ensembles made up of his students, and we would perform. He would also take groups of students to do percussion clinics at high schools. I remember I was a prized student because I could show people how to do different snare drum stuff - "properly," to his way of thinking.  One time I was carrying a big old bass drum into a recital and it slipped out of my hands. "That's an expensive way to do a drum rolll," Mike said.
 
For a brief time I even learned the basics of mallet percussion and timpani. I never found out what happened to Mike.
 
He did all he could do with me, so he turned me over to Garey Williams. Garey was a Central Washington University student at the time and in their jazz bands. He was this skinny little guy with 7A sticks - but just made my ears bleed. He tore it up. He is now an accomplished performer and educator based in Western Washington. He's one of the best players you will ever hear - no question about it. A big influence on me.
 
In school, up through 9th grade, I was in the school bands - wind ensembles, marching, etc. I have to give props to Mr. Donaldson at Franklin Juinor High. He supported kids' interest in music. 
 
One summer I played drums in the pit orchestra for a local production of the musical ANNIE. I can't believe I read the entire chart and could pull that off at age 13.
 
I played in a jazz band at Yakima Valley Community College for one quarter. That was a joke. The teacher's son, a drummer, was in the class and clearly favored. I remember he was a big Rush fan. They had a stainless steel Ludwig set in the classroom.
 
My brother John and I had a few piano lessons when we were kids. I also took a few bass guitar lessons.